French choreographer Pascal Rioult brings his company RIOULT and a number of dynamic and diverse works to the to The Joyce Theater. Known for his energetic choreography that draws from his experience dancing for the Martha Graham Dance Company but is uniquely his own, Rioult possesses a strong sense of traditional form and craft as well as the ability to create ambitious works that seem to extend beyond the limits of the stage. RIOULT’s current season at the Joyce Theater includes a... Read More
A refreshing variety of dances by emerging and experienced choreographers, Soaking WET brings downtown modern dance to the Upper West Side.
An ongoing series produced by David Parker and Jeffrey Kazin, Soaking WET presents shared-bill and single artist performances at the intimate West End Theater. The current installment of Soaking WET showcases the work of Christopher Caines, Kelli Edwards, Marta Miller, Ainslinn Macmaster, Tiffany Mills, Kristi Spessard, and Katherine Longst... Read More
In A Light Conversation, currently at the Joyce SoHo, Wally Cardona and Rahel Vonmoos skillfully address the complexity of relationships and the human condition by embracing ambiguity and crafting a landscape in which each viewer can follow his or her own path.
Most of the dance, choreographed and performed by Cardona and Vonmoos, is not performed with music, but instead, accompanied by a recording of a BBC radio show “In Our Time with Melvyn Bragg.” In th... Read More
Presenting at the Joyce SoHo, in A Light Conversation, Wally Cardona and Rahel Vonmoos skillfully address the complexity of relationships and the human condition by embracing ambiguity and crafting a landscape in which each viewer can follow their own path.
The majority of the dance, choreographed and performed by Cardona and Vonmoos, is not performed with music, but instead, accompanied by a recording of a BBC radio show “In Our Time with Melvyn Bragg.” In this particular a... Read More
Had I seen Chunky Move’s special effect heavy Mortal Engine in a hotel in Vegas, I would have been blown away by its artistic integrity. At BAM, I’m blown away by the way that its artistic integrity is lost in an extravaganza of moving projections, laser lights and fog; smoke and mirrors so to speak.
The piece is built around technology that uses an infrared camera to locate bodies in the space, allowing projections and sound t... Read More
